Nada tiene el color (2022)

We weren't seeking salt, but something less controversial—a culture exemplary in many senses, with its myths and the representations made by travelers. Dictionaries, documentaries, sociology books about the first humans. However, what we found was a series of poorly disguised lies throughout a system of audiovisual representation of the last government, but also of all governments. This film is about our precarious system of lies and our questions about what might be underneath or in front. In this case, in relation to salt, lithium, myths, mythologies, and mystifications.