Altar Boy and His Sins (2024)

A luminous ceremony in which the film abandons the limits of the screen and, amid fire and smoke, desire and sin are celebrated. The projectionist assumes the role of the altar boy, transforming the act of projection into a ritual gesture: the image becomes a confession, and the cinema room, a space of passage and liberation. Thereby, the codes of the mass are rewritten from a queer and critical perspective.