Italy / Feb 27, 1952
Overall average
5.0/10
Plot
Pedro Gonzalez first gets into trouble as part of a criminal gang and then works honourably to become rich. Money is his undoing allowing him to become a womanizer and drinker, almost losing his wife. Finally he rejoins her, they have a son and he pays for his mistakes.
Main cast
Full cast
| Actor | Role |
|---|---|
| Gloria Mestre | Salomé |
| Antonio R. Frausto | Tachito |
| Carlos Riquelme | Doctor |
| Julio Ahuet | Policía (uncredited) |
| Alfredo Varela | Policía (uncredited) |
| Guillermo Bravo Sosa | El angosto (uncredited) |
| Mario García 'Harapos' | El pocho (uncredited) |
| María Gentil Arcos | Trabajadora (uncredited) |
| Jorge Martínez de Hoyos | Vendedor (uncredited) |
| Pepe Martínez | El quimico (uncredited) |
| Jorge Mistral | Hombre en playa (uncredited) |
| Luis Mussot | Espectador (uncredited) |
| Juan Orraca | Don Antonio (uncredited) |
| José Pardavé | Borrachito (uncredited) |
| Ignacio Peón | Anciano velador (uncredited) |
| Julio Sotelo | Anunciador (uncredited) |
| Jorge Treviño | Tendero (uncredited) |
Show more
| Hernán Vera | Tortero (uncredited) |
Genres
Drama
Technical details
| Detail | Value |
|---|---|
| Original title | Ahora soy rico |
| Original language | Español (ES) |
| Spoken languages | Español |
| Production countries | Mexico |
| Status | Released |
| Production companies | Filmex |
| Release date | 27 febbraio 1952 |
| Writer | Gregorio Walerstein, Rogelio A. González |
| Editing | Rafael Ceballos |
| Cinematography | Agustín Martínez Solares |
| Assistant directors | Rogelio A. González |
| Camera operators | Agustín Martínez Solares |
| Additional photography | Agustín Martínez Solares |
| Production design | Jorge Fernández |
Show more
| Art direction | Jorge Fernández |
| Set decoration | Jorge Fernández |
| Music | Manuel Esperón |
| Sound | Manuel Esperón |
Release dates
Theatrical release
Mexico / Oct 20, 1952 / B
Editorial content to complete
6 sections to complete. You can show them now and start filling them in.
