Above all (2025)

With the sky as its protagonist, the audiovisual essay narrates how this place has become explicit, thus highlighting its fragility, the unequal power relations that inhabit it, and the neocolonial dreams that are projected there. Through a continuous nadir shot, abstractions, and metaphors, Above All addresses a wide range of urgent issues related to airspace, such as the accelerated extinction of flying species, violent remote control technologies, the intrinsically collaborative nature of air, and the political capacity of the lung in its struggle to breathe.