Unborn Father (2025)

Inspired by Jonas Mekas' diary films and his father's home videos, Michal Böhm composes a candid self-portrait of his own desire for fatherhood from numerous visual fragments. Six years of life, dozens of gestures, smiles, and silent faces captured by the nimble eye of an 8mm camera. A breakup with a partner, a new relationship, his mother's serious illness, meetings with friends. Demonstrations, pandemics, war, and weddings. Things both fleeting and fundamental. Life as a fabric of fleeting impressions and the camera as a tool that captures, shapes, and preserves them for future generations. And above all, reflections on the future and the legacy we will leave behind, and doubts about whether this is the right world and the right time to have a child.