É incidente (2024)

The film results from the need to document states of altered perception of reality, reflecting its purely constructed quality. It translates junctures of personal experiences into sequences of images, presenting a vision of the real as a pure fabrication of the mind; a succession of visions and sound suggestions that cyclically intersect to then crumble and dissolve. The choice of super 8 introduces us to the dimension of the everyday life, where observations of reality and reinterpretations of it are intertwined with stop motion animations. The resulting images seem enveloped in an aura of timelessness, in continuous oscillation between the suspension and dilation of space.