Country
Japan
Date
Oct 31, 2017
Note
Tokyo International Film Festival
The film was over. The story had only started.
5.0/10

Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.
| Actor | Role |
|---|---|
| Sergio Salvati | Self - Assistant Camera Operator (1966) |
| James Hetfield | Self - Musician |
| Joe Dante | Self - Filmmaker |
| Álex de la Iglesia | Self - Filmmaker |
| Ennio Morricone | Self - Film Composer (1966) |
| Clint Eastwood | Self - Actor (1966) |
| Stephen Leigh | Self - Film Critic |
| Juan José de la Horra | Self - Film Extra (1966) |
| José Urrutia | Self - Film Extra (1966) |
| Rafael Solana | Self - Film Extra (1966) |
| Jean-Pierre Lanoue | Self - Sad Hill Volunteer |
| Anne-Marie Lanoue | Self - Sad Hill Volunteer |
| José Luis Martín | Self - Sad Hill Volunteer |
| Carlo Leva | Self - Assistant Art Director (1966) |
| Giuditta Simi | Self - Art Director Carlo Simi's Daughter |
| Sergio Leone | Self - Filmmaker (archive footage) |
| Willa Ross | Self - Filmmaker (archive footage) |
| Devan Scott | Self - Filmmaker (archive footage) |
| Daniel Jeffery | Self - Film Editor (archive footage) |
| Dettaglio | Valore |
|---|---|
| Titolo originale | Sad Hill Unearthed |
| Lingua originale | Español (ES) |
| Lingue parlate | English, Français, Italiano, Español |
| Paesi di produzione | Spain |
| Stato | Released |
| Compagnie di produzione | Zapruder Pictures |
| Sito ufficiale | filmfactoryentertainment.com |
| Data di uscita | 19 ottobre 2018 |
| Producer | Luisa Cowell, Guillermo de Oliveira, Cédric Biscay, Alejandro F. Larrañaga, Richard D. Jensen, Csaba Mészáros |
| Writer | Guillermo de Oliveira |
| Editors | Javier Duch, Guillermo de Oliveira, Ezequiel Romero |
| Cinematography | Guillermo de Oliveira, Malores Fernández de Olivera, Pedro González Kuhn, Leroy Kincaide, Naftali Beane Rutter, Ignacio Sánchez de Bustamante |
| Asst. Directors | Guillermo de Oliveira |
| Camera Operators | Guillermo de Oliveira, Pedro González Kuhn, Leroy Kincaide, Naftali Beane Rutter, Ignacio Sánchez de Bustamante, Malores Fernández de Olivera |
| Add. Photography | Guillermo de Oliveira, Malores Fernández de Olivera, Pedro González Kuhn, Leroy Kincaide, Naftali Beane Rutter, Ignacio Sánchez de Bustamante |
| Production Design | Iñaki Villuendas |
| Art Direction | Iñaki Villuendas |
| Set Decoration | Iñaki Villuendas |
| Visual Effects | Alberto Sobreviela Falces, Juls Gars |
| Composer | Zeltia Montes, Javier Duch, Pepe Pleguezuelos, Alejandro Rochette, Toño Cubillo, Alex Alcántara, Péter Illényi, Joan Martorell |
| Sound | Javier Duch, Pepe Pleguezuelos, Alejandro Rochette, Toño Cubillo, Alex Alcántara, Péter Illényi, Zeltia Montes, Joan Martorell |
| Budget | 170.000 € |
| Incasso | 22.834 € |
Country
Japan
Date
Oct 31, 2017
Note
Tokyo International Film Festival
Country
United States
Date
Feb 08, 2018
Note
SBIFF
Country
Argentina
Date
Apr 12, 2018
Note
Bafici
Country
Spain
Date
Oct 06, 2018
Note
Sitges Film Festival
Country
France
Date
Dec 08, 2018
Note
Cinémathèque Française
Country
Italy
Date
Dec 14, 2018
Note
Tertio Millennio Film Fest
Country
Portugal
Date
Aug 10, 2020
Note
Periferias Festival
Country
Spain
Date
Oct 19, 2018
Certification
A
Country
Spain
Date
Dec 15, 2018
Certification
A
Note
Netflix
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