El hombre como fin (1968)

"Snapshot images projected fleetingly on an unstable and mobile surface, describe the urban chaos of the population of Caracas in the 60s. An emerging cosmopolitan city, subjected to the alienating imbalance of an environment convulsed by a complex political and social crisis. Withstanding flashes of neon, reflectors and dazzling directional lights, like a night mirror of the city. An elastic uterus shakes and contracts with interrupted spasms, trying to expel what moves and is submerged inside, deep within. Surprisingly and unexpectedly, this altered thing is released, and an anxious, throbbing and anguished humanoid being emerges hastily." Daniel Gonzalez.