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Love Never Fades (1965)

Directed by Chor Yuen
1h 29minruntime
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Overall average

5.0/10

Plot

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

Full cast

ActorRole
Sze-Ma Wah-LungChow Pak-Kwan
Yung Yuk-YiKam Fung-Ying
Yeung Yip-WangManager Chiu
Cheung Chi-SuenPolice Officer
Man LengFatty
Hoh WanKam's Neighbour
Cheung Chok-ChowParty Guest [extra]
Lau ChunParty Guest [extra]
Fung MingPolice Man on Traffic Check
Tai Sang-PoMaid [extra]
Chow LuenNgan-Sing's Colleague
Wan Ling-KwongPolice Officer

Genres

Drama

Technical details

DetailValue
Original title春殘花未落
Original language广州话 / 廣州話 (CN)
Spoken languages广州话 / 廣州話
StatusReleased
Production companiesRose Motion Picture Company
Official sitemcms.lcsd.gov.hk
Release date7 ottobre 1965
ProductionCheung Wood-Yau, Nam Hung
WriterYeung Chit
EditingChoi Cheong
CinematographyChan Kon
Assistant directorsCheung Chun, Chor Yuen
LightingLam Wah-Chiu
MusicCho Tin
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SoundCho Tin
Costume designLi Nan
MakeupLi Nan
HairstylingLi Nan

Release dates

Theatrical release

Hong Kong / Oct 07, 1965 / Film criticism: 'Love Never Fades' tells the story of a lowborn woman who marries a rich husband…forced to leave her husband and daughter, she lives her life with a clear conscience knowing that she has paid her dues to herself and others. She takes away with her happiness from a family that is bound by moral constraints and a phony reputation. The film speaks of personal responsibilities and delves deeper into the distinction between 'intrinsic responsibilities' and 'superficial responsibilities'—a testimony of a transition in his directorial style, from outward to inward, which was the key to the rich flavour and finesse of 'Love Never Fades'. (Sek Kei: 'College Life Monthly', October 1966) The standard of 'Love Never Fades' is on par with 'The Great Devotion', 'Rose in Tears' and 'Ungratefulness', only more mature and mellow. During several scene transitions, the motion of the characters is put to a tranquil halt, slowly fading out with the dimming of the light. The moderately paced tempo and the daintily crafted scenes evoke a faintly melancholic aura. (Shu Ming, Gu Er aka Koo Siu-sun: 'Love Never Fades: On Chor Yuen's Major Works', 'Chinese Student Weekly', No 745, 28 October 1966).

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